Schedule

Schedule

Sunday, April 20

1398016800 The Tech Guy
1398031200 This Week in Tech

Monday, April 21

1398099600 Tech News Today
1398103200 Triangulation
1398108600 iPad Today
1398121200 Tech News 2Night

Tuesday, April 22

1398180600 Marketing Mavericks
1398186000 Tech News Today
1398189600 MacBreak Weekly
1398196800 Security Now
1398204000 Before You Buy
1398207600 Tech News 2Night
1398211200 All About Android

Wednesday, April 23

1398267000 FLOSS Weekly
1398272400 Tech News Today
1398276000 Windows Weekly
1398283200 This Week in Google
1398294000 Tech News 2Night
1398295800 The Giz Wiz
1398301200 Ham Nation

Thursday, April 24

1398358800 Tech News Today
1398362400 Know How...
1398366000 The Social Hour
1398371400 Coding 101
1398375000 Home Theater Geeks
1398380400 Tech News 2Night
1398384000 OMGcraft

Friday, April 25

1398445200 Tech News Today
1398448800 This Week in Law
1398466800 Tech News 2Night

Saturday, April 26

1398535200 The Tech Guy

Sunday, April 27

1398621600 The Tech Guy
1398636000 This Week in Tech

Monday, April 28

1398704400 Tech News Today
1398708000 Triangulation
1398713400 iPad Today
1398726000 Tech News 2Night

Tuesday, April 29

1398785400 Marketing Mavericks
1398790800 Tech News Today
1398794400 MacBreak Weekly
1398801600 Security Now
1398808800 Before You Buy
1398812400 Tech News 2Night
1398816000 All About Android

Most Recent Episodes

The Tech Guy
The Tech Guy 1075 April 19th, 2014

Heartbleed update, live streaming your band's performance, replacing the cable set-top box, and your calls.

Tech News 2Night

Heartbleed hijacks VPN sessions, NASA's new laser internet connection, HTC wants to own the selfie market, criminals use drones to find pot farms, and Pandora sued over playing pre-1972 recordings.

This Week in Computer Hardware

New Haswell CPU's, the word on Nvidia’s 337.50 driver update, desktop monitor upgrades, and more!

This Week in Law

Regulating robots, remixing music and fair use, the Aereo Supreme Court case, and more!

Tech News Today

Heartbleed flaw is getting fixed on more websites, Pandora sued by major record labels, Google might split Nexus into two different price points, and more.

Home Theater Geeks

POV binaural audio recording with High-Definition video.

Know How...

The Heartbleed exploit explained with jellybeans, tweak Windows 7 or 8 for extra speed, manage your passwords with LastPass, and a first look at the WRT 1900AC.

Tech News 2Night

Dropbox is on an acquisition spree, Facebook lets you find your Friends on a map, try-on Google Glass at home, Twitter's ad app launches, Amazon's Fire TV expands voice search, iOS could have Shazam built-in, and Honda's ASIMO robot is even more human.

Coding 101

Your Python list example, we'll explain the Heartbleed bug with jelly beans, and a While Loop.

The Social Hour

Amber & Sarah chat with Stageit's Evan Lowenstein on connecting artists and fans, Twitter's new ad strategy, US Airways' major major tweet fail, is Runkeeper's Breeze app Rad or Fad? And more!

Know How... 71

Importing Analog Video & Editing with Premiere Pro

December 5 2013

In this episode, you'll learn how to digitize your analog content and then how to edit it using a non-linear editor.

Digitizing

The project is quite simple and straightforward. First up, find your analog hardware. In our case, Iyaz grabbed an old camcorder circa the early 1990s that would work with the 8mm format. The camcorder itself had analog outputs. So how do we get the video content from the camcorder to our computer?

We used Elgato Video Capture, which accepts analog video inputs and ships it over to your PC via USB. It works with both Windows and Mac machines and costs about $80. The hardware comes with capture software that only works with the Elgato Video Capture hardware.

You simply connect the Video Capture device to your camcorder via the included analog cables. The software will guide you through the steps to capture the video and check your audio levels.

Importing your video will take as long as your actual video. So far, we haven't seen any video capture software that lets you import analog video other than in real time. Video capturing requires about 700MB of hard drive space per hour.

There were plenty of real world issues. The camcorder Iyaz used was very old and had some lockups. Tape was regularly pulled from the actual cassette. Don't fear, our friend the pencil was used to rewind the tape into the cassette. If you're thinking about putting off this kind of project, think about how your hardware is aging. Get it done! The sooner, the better.

Organize and Archive
When dumping files to your editing workstation, take the time to organize your assets into subfolders that make sense to you. Typical divisions would be "A-Roll", "B-Roll", "Audio", "Music" and "Screengrabs" - A little organization at the start of your project will help to keep your files accessible for future content projects.

When archiving Adobe Premier projects you can reduce the data that you need to backup by deleting the temporary files. These auto-save and render files will be automatically recreated by Adobe Premiere should you reopen the project.

Adobe Premiere 101

Importing Assets

Adobe Premier has two ways to import assets into a project. The first way is to go to "File" - "Import" and select the folder or files that you wish to add to the asset window. The second method is to drag and drop files and folders directly into the asset window.

After importing assets, Adobe Premier will automatically conform the files and generate preview files.

Adding clips to the Timeline

Once files are in the asset window you can drag them directly onto the timeling or into the preview window. If you drag the asset onto the timeline it will place the entire clip, both audio and video. If you first drag the asset to the preview window, you can select a piece of the asset to add to the timeline using the "In" and "Out" markers. Once selected, you can add the clip to the timeline in one of three ways:

Dragging the preview window itself will bring both audio and video to the timeline. Dragging the filmstrip will bring only the video, while dragging the speaker will only bring the audio.

Transitions and Effects

The lower left corner of the workspace contains effects and transitions - both for audio and video. To add an effect, find the filter your want to add, drag it to the clip you want to change, and drop the filter on the clip. You can then use the "Effect" tab in the preview window to change the parameters of the filter.

To add a transition, place two clips adjacent to each other, then drag and drop the desired transition onto the intersection of the two clips. Alternatively you can place the clips in different video tracks, adding transitions to the end of clips, transitioning between layers of the video workspace.

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